It was a bright Ladakhi afternoon and she was boiling Maggi when I first entered ‘Rangdum Hotel’, called ‘hotel’, even though it hardly seemed to have any guest rooms. It was lunch time, but one probably didn’t need a taste of the noodles to say that they were disappointing, a look at the pan was enough. They were soggy and unappetising, somehow devoid of all the life that a sunny summer day in Ladakh embodies. When she spoke, Read More
He pushed a long pole into the shallow bed of the sea shore as the dighi (boat) slowly drifted into the blue-green waters of the Arabian Sea. ‘Ghai naku kara, ghai naku kara’ (Don’t hurry, don’t hurry!), the boatsman had shouted when this bunch of enthusiastic school children from a nearby village had tried to barge their way in the boat all at once, Read More
‘Photo bhejoge ya yuhi mere judwa bachcho ki taswire leke ja rahe ho?‘, the mother retorted. An english translation would put her words as “Will you even send back these pics or are you taking pics of my twin boys just like that”. I didn’t have an answer to that. I was at Rangdum, a tiny village (if it could be called one), in the middle of a road (if ever there was one) to the valley of Zanskar from Kargil. For miles at a stretch one doesn’t come across anything alive here. Padum, the administrative center of Zanskar valley, is a hamlet light years away from what you call ‘civilization’. How in the world could I have sent back processed pictures of these kids in Rangdum where even cell phone networks didn’t work (forget photo printing)?? My guilt knew no bounds here. Shamelessly, I just backtracked my steps to the taxi which was waiting for me to finish the photo session. I had volunteered in Ladakh five years before and had returned with some wonderful pictures of kids then (Read : Us & Them – Kids of Ladakh). I wondered if I’d go back with guilt ridden pics from the current trip. This time, the trip to Zanskar had started with a drive from Leh to Kargil. It’s an arid route. Dry as a desert. Stark as moon. One would wonder how any life sustained here. Yet, one realises, that it is regions like these, far off, on the fringe, that preserve humanity at its best and humans at their warmest. A chai break on the road to Kargil gave a wonderful opportunity to meet a group of kids on their way back from their school.
Strangely, I never understood the reason for this but all the way around Kargil and the Suru valley, there were so many kids out on the roads, streets, highways everywhere. My friend later surmised that it could be due to lack of too many entertainment options, that they were out. No PS3s, laptops, Counter strikes. But only the legendary Views of a valley, grand mountains, gurgling rivers and apricot-loaded trees. Talk of trade-offs.
And then there were those children in the Zanskar valley, who probably walked kilometers at a stretch every morning to get to their schools, some of which could be in different villages altogether. These two kids we met during an early morning car drive, stood on the edge of the road, frantically waving their hands joined together in the gesture of a ‘namaste’ or a prayer. It was dramatic enough to remind me of those days as a kid when I’d miss my school bus and sadly wait for a friend to pass by in his car and give me a hike. Here, I had to force the taxi driver to stop and offer those kids a ride. Their thanks in the form of ‘ju ju‘ , ‘ya ju‘ still echo in my ears. And ofcourse, there was a bunch of school boys with whom we hitchhiked in a pick-up truck to go from a far off monastery to the local grounds for Independence day celebrations. Such a vibrant bunch, all of them.
Some other children we met in Padum, a small hotel owner’s son, a candy crazy little girl, a kid perched upon his father’s shoulders ..
And finally the twins with whom this story started. To my amazement, I did actually manage to find a photo studio in Padum and print those pictures. I handed over a couple of those to their mother while returning back to Kargil. Expecting a hearty thanks, I asked her what she thought of those pics. Her reply – “Kaha achhe hain, naak toh beh rahi hai dono ki inme” (“Hardly good, both have running noses in these pics”). But this time I’m not upset. I just smile. I know better of the Ladakhis than to feel let down by her reply. They have known enough hardships in life to feel too elated or too sad about most things. I had just forgotten this in these five years. Nice to be back, finally.
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This is the fifth in the writer’s series of photo-blogs focussed on the people of the places where he visits – Us & The
Who am I? I wonder. A pearl perhaps, in a necklace of history, woven by the oldies around me, who cease not, to boast of their past. Who am I, but just a tear drop, in an ocean of identities, of claims, of conflicts. But a dream, in a sea of confused realities. They called me ‘Serendib’, that which was discovered by chance! And I wonder, again. You could have been lost, traveller, but I have always been here. Forever, in temples that store a tooth of the Buddha, in the folklore of the tears of Sita, in the spirit of a legendary Ashoka’s Dhamma. I was always here, as a thought, a belief, a land in the legend of your legends, the pearl of an island, the keeper of a stories thousand.
Did you forget me traveller?
For I was here when you brought the Dharma to my fortress, dressed as Mahindra..
& I was still here till so late when those waves struck us together..
But did you forget me traveller? For I waited for you in those green hills..
..Waited to shower you with smiles, when all you wanted was just a glimpse
I stood here, while you painted my walls with colours of thee, Dutch somewhere, somewhere else Portuguese.
I was there In the taste of the cinnamon, sweet and savoury both, akin to that of a conversation with the family that grew this ‘kurundu’
I was there, in the sheer astonishment of my folks so humble at anything new..
..In those headlines of a newspaper that’d soak the occasional morning dew
And also among those lines that divided my children..
But even today my friend, I continue to remain in those cricket-loving roars of “I AM KUMARA SANGAKARRA!” that unite them!
Yet, I wonder, did you forget me traveller?
Have you been to Sri Lanka? What were your thoughts about the place?
This is a part of the writer’s series, Us & Them, documenting the people of the places he visits. Some of the earlier posts under this series are-
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A barren land stretches to eternity on both sides of this empty road. Pale and lifeless, like the sands we just left behind, to the extent that the only semblance of life seem to be the tufts of the dead grass, rendered a golden hue by the Sun which refuses to relent even in the winter months. Remorseless. And as we have crossed Jaisalmer on our way to Jodhpur, the horizon is marked not by sand dunes but by several windmills, in all directions. My friend from Mumbai has taken a liking to the cool morning breeze and is off to sleep. And so I’m left with little more than these windmills and the music of 90s Bollywood movies to give me company. From the foothills of the Himalayas to the desert in Rajasthan, 90s Bollywood music is the all- time favourite of bus drivers in the Indian countryside. And I must concede here that it’s not always soothing. For instance, the driver in this bus is playing, ‘Teri yaad satati hai.. milne ko bulati hai’. My friend’s lucky he’s off to sleep.
As the bus stops at a ‘phatak’ – a railway crossing, (and there is no stopping the painful music), my thoughts wander back to the other music that I’ve heard in Rajasthan, far more mellifluous. Coming from a boy in Mandore, the ancient fortress, where he played a sonorous rendition of ‘Ud ja kale kawa’ on an instrument he called ‘Ravanhattha’. Divide this word into two and you’ll have a legend of music dating back not hundreds but thousands of years. To the times when once the legendary Ravan lost his veena & cut his own forearm (hattha), to turn his fingers into tuners, his veins into strings and his elbow into a resonator! Ah! The sacrifice for that one strain of music that today resounds through every street and gully of Rajasthan, from Jaipur & Jaisalmer to Udaipur, at the entrance to every fort and in the courtyard of every palace. Yes! The land of palaces has more than its share of native musical instruments than you’d have thought.
Meanwhile, the bus stops at a village where local women board, bangles all over their hands, and veils all over their faces. Behind them, a group of army-men enters. Yes, the border with Pakistan and the historical town of Pokharan are both close by. The bus restarts and with it, another rendition of excruciating songs – ‘Tumse o hasina kabhi mohabbat na humko karni thi’. And with this I switch again to the ‘other’ music.
This time the music in my mind takes me back to a concert in the Mehrangarh fort of Jodhpur, where classical and folk came together one melodious evening. A team of talented musicians with Nawab Khan on Santoor joined another equally talented one, of the Langas, with their Sarangis and Khartals. And what began with a devotional recital in Arabic, gradually turned into an immaculate performance by Nawab Khan on the Santoor. But the greatest symphonies were to be created when the Langas would join in. The Langas, with their vocals, brought about a geniality that only the rusticity of folk music could, their Khartals at one instant, rattling their way to find an expression above the percussions of the dhol, and at the very next, losing themselves in the pulsating voices of the singers, akin to the applause of the enraptured audience. A Sindhi Sarangi played behind, lending serenity to the ensemble and the falling evening, much like its player, the other Khan sahib, probably the eldest in the group. The Sarangi, as he later told us, was his grandfather’s. Music survives way beyond us mortals do.
And, as I remember those songs, with a mix of Urdu and Rajasthani thrown in, I see the land outside my window turning greener, the grass being replaced by shrubs, the dunes with the first sights of leveled lands. And soon, the bus halts at Pokharan. The army-men alight and we follow, to be greeted by signs of the ‘Famous Cham-Cham of Pokharan’ at eateries all around us. Excited by the prospect of another culinary discovery, we try it, and it turns out disappointing, its taste embittered further by the lame ‘radio-active cham-cham‘ joke from my friend. He is clearly better off sleeping.
We now board the bus for the last leg of the journey to Jodhpur(& hopefully of the painful music). I remember the narrow approach with which I had come here, for attending the World Sufi Music Festival. The only musicians I intended to listen to were those from outside India. And so I had skipped the Manganiyar concert. Only now, after listening to the Langas and reading about both communities in Jaisalmer, I rue my earlier decision. The Maganiyars are musicians from villages around Jaisalmer & Barmer and embody a tradition of music centuries old, where they, Sunni Muslims, would sing for their Hindu patrons. They still continue to sing in several parts of Rajasthan. It’s still not difficult to spot an old Manganiyar with an even older Kamaycha in his hands singing ‘Moomal’ somewhere around the mud houses of the desert.
Meanwhile, the view from the window turns more vivid as I now spot a few cranes flying outside. The area is close to Khichan, which witnesses annual migration of Demoiselle cranes during this time. The music in the bus has stopped. Soon I’d be reaching Jodhpur & it’d be time to leave. But I will go back with more fertile ears than ever before. I take with me the music of the deserts, at once plangent, at once buoyant, of longing and belonging alike. I hope that the next time you come here, you don’t just stare at these palaces, but listen to them too. Don’t merely hear the legends of the royals, but also hear the echo of those who sang for them. Don’t just pass by the next Ravanhatta player beside you, but sit with him & ask him to play your favourite song, or may be join along, a ‘moomal’ or a ‘ghorband’ perhaps ( & it doesn’t matter if your singing is hit only in the bathroom). This is music that has lasted centuries, may be millennia, not the Bollywood music that you’d run way from in a few years!
(This post was earlier published with Yahoo India Lifestyle Travel blog)
Have you been to Rajasthan? What was your experience like? Has the music of a place ever left an impression on you?
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